December 06, 2016 - March 19, 2017
Saint Anthony (ca. 251–356), often regarded as the founder of Christian monasticism, was a hermit in the Egyptian desert who, according to his biographer Athanasius of Alexandria, was tormented by supernatural appearances. This exhibition presents renderings of Saint Anthony’s visions since the late medieval period.
November 15, 2016 - April 16, 2017
Bernard and Barbro Osher Gallery
The dual meaning of “resolution,” as both coming-into-view and as a means of overcoming conflict defines artistic responses to the historic transformations of the global twentieth century. Works selected for the exhibition visualize resolution and its conceptual underpinnings, and seek to act as agents of resolution through visual culture.
November 03, 2016 - December 31, 2016
Featuring a selection of American vernacular photographs recently donated to the Museum, this exhibition explores how amateur photographers circumvented and at times unsettled assumptions about what a portrait might be.
September 22, 2016 - June 04, 2017
This installation showcases a selection of American and European paintings with decorative arts from around the world to illustrate the century’s expanding reach and interests. They include Native American pottery, Malagan masks, Japanese metalwork and lacquer, carved Chinese jade, and fine European jewelry.
September 15, 2016 - January 29, 2017
Shaw Ruddock Gallery
Robert Frank played a leading role in re-writing contemporary standards for photography. This exhibition brings together a selection of rarely seen photographs from 1947, the year the artist first moved to the United States, to 1961, when he presented his first major museum exhibition.
Opened April 28, 2015
This exhibition considers the representation of contests in ancient art.
Opened January 15, 2015
This exhibition brings together works from Bowdoin’s collection with important recent acquisitions that offer new perspectives on the art of Europe and the transatlantic colonies.
Opened November 11, 2014
This innovative website revisits the seminal exhibition, "The Portrayal of the Negro in American Painting," organized by the Bowdoin College Museum of Art in 1964.
Opened October 15, 2007
The Assyrian relief sculptures in this exhibition are some of the most extraordinary pieces in the Bowdoin collection. Carved at the behest of the Assyrian king Ashurnasirpal II in the ninth century B.C.E., these stone panels once decorated the walls of the royal palace in the king’s new capital at ancient Kalhu, located along the upper reaches of the Tigris River, in present-day northern Iraq.