Currents: Art Since 1875

Museum of Art Museum of Art

Exhibition: Currents: Art Since 1875

Dates:

Location:

Boyd Gallery
"Currents: Art Since 1875" tells new stories, asks provocative questions, and challenges assumptions about the human experience through works of twentieth and twenty-first century art.

Selected Works

A painting in pastel tones showing people in old fashioned clothes walking in a park
Sunday Afternoon in Union Square, 1912, oil on canvas by John Sloan. Bowdoin College Musuem of Art, Bequest of George Otis Hamlin, 1961.63
A painting showing a group of people around a table

The Family Evening, ca. 1924, oil on canvas by Marguerite Zorach. Bowdoin College Museum of Art, Gift of Dahlov Ipcar and Tessim Zorach, 1979.77 

An abstract painting in greys and subtle colors

Untitled, ca. 1951, oil on paper, mounted on wood panel by Roberto Sebastián Matta. Bowdoin College Museum of Art, Bequest of William H. Alexander, in memory of his mother and father, Mr. and Mrs. William Homer Alexander, 2003.11.54

A painting showing a person in a small watercraft, paddling by a structure

Going Home (Suzhou), 1986, oil on canvas by Chen Yifei. Bowdoin College Museum of Art, Gift of Irving Isaacson in memory of Judith Magyar Isaacson, 2018.9

 

A paniting in bright colors and active brushstrokes with a central figure surrounded by many figures of children
Suffer the Little Children to come unto me, Jesus and Children, 2000–2010, acrylic on canvas by Ashley Bryan. Gift of The Ashley Bryan Center; 2021.51.9
A drawing showing a figure on a red horse

Untitled (8126), 2015, pigmented ink on found ledger paper by Francis Yellow. Bowdoin College Museum of Art, Museum Purchase, Barbara Cooney Porter Fund, 2017.20  

About

Currents: Art Since 1875 tells new stories, asks provocative questions, and challenges assumptions about the human experience through works of twentieth and twenty-first century art. Deliberately global in scope, the exhibition draws from the Bowdoin College Museum of Art’s rich collection to explore three broad themes. In “Labor and Bodies,” visitors will encounter works of art that reference how changing notions of work and rest intersect with race, gender, and class. In “Migration and Environment,” the selected artworks demonstrate how the dynamic movement of people, ideas, and goods around the world have simultaneously enriched cross-cultural knowledge, inspired artistic production, and led to ecological degradation and genocide. Finally, “Inspiration and Appropriation” examines the intricate social and intellectual networks through which artists exchanged ideas, prompting visitors to consider the often-blurry distinction between inspiration, appreciation, and appropriation.

Support for the exhibition is provided by the Shapell Family Art Fund, Bowdoin College.

 

Read the exhibition labels here.