Book
Berlin Coquette: Prostitution and the New German Woman, 1890-1933. Ithaca, NY: Cornell University Press, 2013.
Articles
“Sounds of Silence: Rape and Representation in Juli Zeh’s Bosnian Travelogue,” in: German Women’s Writing in the Twenty-First Century, Eds. Hester Baer and Alexandra Merley Hill (Rochester, NY: Camden House, 2015) 175-196
“Reviving German-Jewish Comedy: Dani Levy’s Family Farce Go for Zucker!” in: Modern Jewish Studies 13.2 (July 2014) 231-248
“Prostitutes in Weimar Berlin: Moving Beyond the Victim-Whore Dichotomy” in: Beyond Glitter and Doom: The Contingency of the Weimar Republic, Eds. Godela Weiss-Sussex, Jochen Hung, and Geoff Wilkes (Munich: iudicium, 2012) 135-147
“Just How Naughty was Berlin? The Geography of Prostitution and Female Sexuality in Curt Moreck’s Erotic Travel Guide” in: Spatial Turns: Space, Place, and Mobility in German Literary and Visual Culture, Eds. Barbara Mennel & Jaimey Fischer (Amsterdam: Rodopi, 2010) 53-77
"Richard Oswald & the Social Hygiene Film: Promoting Public Health or Promiscuity?" in The Many Faces of Weimar German Cinema, Ed. Christian Rogowski (Rochester: Camden House, 2010) 13-30
“Working Girls: White-Collar Workers and Prostitutes in Late Weimar Fiction” in: The German Quarterly 81.4 (Fall 2008) 449-470
"A Female Old Shatterhand? Colonial Heroes and Heroines in Lydia Höpker's Tales of Southwest Africa" in: Women in German Yearbook19 (December 2003) 141-158
Translation
Fritz Breithaupt, "Culture of Images: Limitation in Goethe's Wahlverwandtschaften" in: Monatshefte 92.3 (Fall 2000) 302-320
Book Reviews
Norman Domeier. The Eulenburg Affair: A Cultural History of Politics in the German Empire. Rochester, NY: Camden House, 2015. Solicited by H-Net (in progress)
Lynne Tatlock. German Writing, American Reading: Women and the Import of Fiction, 1866-1917. Columbus: The Ohio State University Press, 2012, Comparative Literature Studies 53.1 (2016) on-line review, e-1-4
Florian Krobb and Elaine Martin, eds. Weimar Colonialism: Discourses and Legacies of Post-Imperialism in Germany after 1918. Bielefeld: Aisthesis, 2014, Monatshefte 107.4 (Winter 2015) 694-696
Schneider, Daniel. Identität und Ordnung. Entwürfe des “Eigenen” und “Fremden” in deutschen Kolonial- und Afrikaromanen von 1889 bis 1952. Bielefeld: Aisthesis, 2011, in: German Quarterly 85.3 (Summer 2012) 365-366
Jeanette R. Malkin & Freddie Rokem, eds. Jews and the Making of Modern German Theatre. Iowa City: U of Iowa P, 2010, in: German Studies Review 34.3 (October 2011) 720-722
Stephanie Günther. Weiblichkeitsentwürfe des Fin de Siècle Berliner Autorinnen. Alice Berend, Margarete Böhme, Clara Viebig. Bonn: Bouvier, 2007, in: German Studies Review 33.1 (February 2010) 212
David A. Brenner. German-Jewish Popular Culture before the Holocaust. Kafka’s kitsch. London: Routledge, 2008, in:German Studies Review (October 2009) 661
Walter Frisch. German Modernism: Music and the Arts, Berkeley: U of CA Press, 2005, in: Studies in Twentieth- and Twenty-First-Century Literature 33.1 (Winter 2009) 187-189
Christiane Schönfeld, Ed. Commodities of Desire: The Prostitute in Modern German Literature, Rochester: Camden House, 2000, in: Women in German Newsletter (Summer 2002) 12-14
Other
Essay, “Die Kunst des Kokettierens,” in Jeanne Mammen: Paris—Bruxelles—Berlin (Berlin: Deutscher Kunstverlag, 2016) 70-79
Research in Progress
Article
“From the Balkans to Berlin: Migration, War Trauma, and the Gendering of Justice in Hans-Christian Schmid’s Storm”
Book Projects
German courtroom dramas in the aftermath of war & genocide and on representations of Weimar Berlin in contemporary German and American popular culture