CFD Postdoctoral Fellow in Art History
103 Visual Arts Center
Dana E. Byrd is a scholar of American art and material culture. Her research engages with questions of place and the role of objects in everyday life. Her book manuscript, “Reconstructions: The Material Culture of the Plantation, 1861-1877,” examines the experience of the plantation during the Civil War through the end of Reconstruction. She is presently developing a project that examines the nineteenth-century representations of sociable interiors in three cosmopolitan cities: New Orleans, Paris, and London.
“Loot, Occupy, Rebuild: The Plantation during the Civil War,” in The Civil War in Material Culture (Houston: Bayou Bend, Museum of Fine Arts, Houston, 2012).
Exhibition Review of “Grass Roots: African Origins of an American Art,” Journal of Modern Craft 4, no. 2 (July 2011): 207-211.
“Punkah,” World of a Slave: Encyclopedia of Material Life of Slaves in the United States, eds. Martha Katz-Hyman and Kym Rice (Westport, CT: Greenwood Press 2010): 381-385.
“There Is No Place Like Home: Student Rooms at Yale, 1870-1910,” Yale University Art Gallery Magazine, Fall 2009.
“Reconstructions: The Material Culture of the Plantation,” David B. Warren Symposium, Museum of Fine Arts, Houston, October 2011 (invited lecturer).
“ ‘Just the Man We Want’: Henry P. Moore, Photographer on the South Carolina Sea Islands,” Southern Nation Conference, Department of American Studies, Princeton University, April 2010.
“Picturing Emancipation, Henry P. Moore, Photographer,” After Slavery, Race, Labor and Citizenship in the Post-Emancipation South Conference, College of Charleston, Charleston, SC, March 2010.
“ ‘Motive Power’: Punkahs and Performance in the Antebellum South,” Historic New Orleans Antiques Forum, Historic New Orleans collection, New Orleans, LA, August 2009 (invited lecturer).
“Punkahs in the Antebellum South,” Gordon Conference, Museum of Early Southern Decorative Arts, Winston-Salem, NC, October 2008.
“ ‘Winnower of Souls’: The Punkah and the Creation of Comfort in British India,” Center for Material Culture Studies, Yale University, New Haven, CT, February 2008.
“Crafting Freedom, John Needles, Antebellum Cabinetmaker” National McNair Scholars Research Conference, Newark, Delaware, October 2005 (invited lecturer).
“Way Finding: Work, Space and Evangelism at a Truck Stop Chapel,” Material Culture Symposium for Emerging Scholars, Winterthur, Delaware, April 2005.
“Furnishing for Faith: Truck Stop Chapels,” Popular Culture/American Culture Annual Meeting, Albuquerque, New Mexico, February 2005.