A cycle of five precious tapestries illustrates the story of the princess Psyche who was taken as a bride by the god Cupid, according to the second century Latin novel The Golden Ass by Apuleius. Made of wool, silk, and gilded-silver, the tapestries were based on fifteenth-century engravings and were part of a series produced by an unknown manufactory in Paris in the 1660s, during the reign of Louis XIV. This is an extremely rare opportunity to see an important group of Baroque tapestries in northern New England.
This exhibition is supported by the Robert Lehman Foundation.
October 16, 2014 | 4:00 p.m.
Gallery Conversation: “Metamorphosis of a Myth”
Linda Roth, ‘76 and P ‘13, Charles C. and Eleanor Lamont Cunningham Curator of European Decorative Arts, Wadsworth Atheneum and James Higginbotham, associate professor of classics on the Henry Johnson Professorship Fund, and associate curator for the ancient collection at the Bowdoin College Museum of Art explore the long history and central themes associated with the myth of Cupid and Psyche. The discussion examines the representations of this tale over time.
October 22, 2014 | 4:30 p.m. | Kresge Auditorium, Visual Arts Center
“Pieter Coecke van Aelst and the Art of Designing Tapestries in Early Modern Europe”
Elizabeth Cleland, associate curator, European sculpture and decorative arts, The Metropolitan Museum of Art, New York is the curator of the Metropolitan Museum’s upcoming exhibition Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry
. Cleland will speak about this major figure of the Northern Renaissance who designed tapestries for the royal courts of Europe. The tapestries on view at the Museum of Art are based on drawings by this Flemish master. RSVPs are requested, but not required. You may RSVP here