Constructing Revolution: Soviet Propaganda Posters from between the World Wars

Museum of Art Museum of Art

Exhibition: Constructing Revolution: Soviet Propaganda Posters from between the World Wars

Dates:

Location:

Bernard and Barbro Osher Gallery, Focus Gallery, Halford Gallery, Center Gallery
The exhibition explores the remarkably wide-ranging body of propaganda posters created as an artistic consequence of the 1917 Russian Revolution. Marking its centennial, this exhibition delves into a relatively short-lived era of unprecedented experimentation and utopian idealism that produced some of the most iconic images in the history of graphic design.

Works

“Did You Volunteer?,” lithograph, 1920, by Dmitry Moor. Collection of Eric and Svetlana Silverman
"The Road to October," lithograph, 1929, by Valentina Kulagina. Collection of Eric and Svetlana Silverman.
"We Will Repay Our Country’s Coal Debt," lithograph, 1930, by Gustav Klutsis. Collection of Eric and Svetlana Silverman
"For the Proletarian Park of Culture and Leisure," 1932, lithograph by Vera Adamovna Gitsevich. Collection of Eric and Svetlana Silverman.

About

Constructing Revolution explores the remarkable and wide-ranging body of propaganda posters as an artistic consequence of the 1917 Russian Revolution. Marking its centennial, this exhibition delves into a relatively short-lived era of unprecedented experimentation and utopian idealism, which produced some of the most iconic images in the history of graphic design.

The eruption of the First World War, the Russian revolutions of 1905 and 1917, and the subsequent civil war broke down established political and social structures and brought an end to the Tsarist Empire. Russia was split into antagonistic worlds: the Bolsheviks and the enemy, the proletariat and the exploiters, the collective and the private, the future and the past. The deft manipulation of public opinion was integral to the violent class struggle. Having seized power in 1917, the Bolsheviks immediately recognized posters as a critical means to tout the Revolution’s triumph and ensure its spread. Posters supplied the new iconography, converting Communist aspirations into readily accessible, urgent, public art.

This exhibition surveys genres and methods of early Soviet poster design and introduces the most prominent artists of the movement. Reflecting the turbulent and ultimately tragic history of Russia in the 1920s and 1930s, it charts the formative decades of the USSR and demonstrates the tight bond between Soviet art and ideology.

All works in this exhibition are generously lent by Svetlana and Eric Silverman ’85, P’19.

Read the Press Release              View the Checklist

Visiting The Exhibition

Press

Please enjoy the following coverage of the exhibition:

The Boston Globe

Wall Street Journal

The Times Record