Associate Professor of Africana Studies and English
Director of Africana Studies Program
tchakkal@bowdoin.edu
Telephone:
207-721-5150
Africana Studies
ENGLISH
213 Adams Hall
My research and teaching focus on American and African American literature from the mid-nineteenth century to the early twentieth. My book Novel Bondage: Slavery, Marriage, and Freedom in Nineteenth-Century America (University of Illinois Press, 2011) examines the development of the slave-marriage plot through close readings of literary fictions by writers such as William Wells Brown, Harriet Beecher Stowe, Lydia Maria Child, Frances Harper, Frank Webb, and Charles Chesnutt. By doing so, I consider how this particular literary convention challenged the meaning and function of marriage in the United States. Currently, I am co-editing a volume of critical essays on the novelist Sutton E. Griggs entitled Literature, Jim Crow, and the Legacy of Sutton E. Griggs, forthcoming from the University of Georgia Press. Additionally, I am co-editing a critical edition of Griggs’s 1899 novel, Imperium in Imperio, forthcoming from the West Virginia Press.
My courses intertwine my research interests in various ways. In my “Introduction to the Black Novel in the United States,” (AFRS/ENG 107) I invite students to consider the interplay between political and aesthetic commitments that produce a distinct literary form that begins with the turn to fiction by former slaves (and their descendants) in the mid-nineteenth century and ends with the publication of Toni Morrison’s first novel, The Bluest Eye. “Reconstructing the Nation” (AFRS/ENG 258) asks students to consider the ways in which legal and political reforms were articulated through novelistic fictions set in the southern United States written between 1865 and 1890.
Novel Bondage: Slavery, Marriage, and Freedom in Nineteenth-Century American, University of Illinois Press, 2011
“Whimsical Constrasts”: Love and Marriage in The Minister’s Wooing and Our Nig in The New England Quarterly March 2011 (Vol. 84, no. 1).
“To Make an Old Century New” Review Essay in American Quarterly December 2010 Vol 62, No. 4, pp. 1001-1012
"Wedded to the Color Line: Charles Chesnutt’s Stories of Segregation" in Representing Segregation, Toward an Aesthetics of Living Jim Crow, and Other Forms of Racial Division, SUNY Press 2010
“Wedded to Race: Charles Chesnutt’s Marital Fiction” in Studies in American Fiction 36.2 (Autumn 2008) 155-76.
“Making a Collection: James Weldon Johnson and the Mission of African American Literature” Spec. issue of South Atlantic Quarterly 104.3 (2005): 521-541
“Uncle Tom and the Making of Modern African American Literature.” Review of Black Political Economy 33.1 (2005): 73-87.
“I, hereby, vow to Read The Interesting Narrative” in Captivating Voices: Writing Confinement, Citizenship, & Nationhood in the Nineteenth Century. Eds. Jason Haslam and Julia Wright. Toronto: University of Toronto Press, 2005. 86-109.
“Making an Art Out of Suffering: Bill T. Jones’ Uncle Tom.” Peering Behind the Curtain: Disabilities in Contemporary Drama. Eds. Kimball King and Thomas Fahy, New York: Routledge, 2002. 35-46
“Being Reena in Canada: A Case of Reckless Eyeballing.” Rude: Contemporary Black Canadian Criticism Toronto: Insomniac Press, 2000. 159-167.
“Rev. of Autobiography and Black Identity Politics: Racialization in Twentieth-Century America.” Biography: an Interdisciplinary Quarterly. 23.3, (2000): 568-572.
Academic Spotlight: Tracing Lasting, Local Footprints of 'Uncle Tom's Cabin'
Introduction to the Black Novel in the United States (AFRS/ENG 107) Syllabus
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African American Literature and the Law (AFRS/ENG 326) Syllabus
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