Location: Bowdoin / Peggy Wang

Art History

Peggy Wang

Assistant Professor of Art History and Asian Studies

Contact Information

pwang@bowdoin.edu
207-798-4285
Art
ASIAN STUDIES
103 Visual Arts Center



Spring 2014

  • Power and Politics in Pre-modern Chinese Art (ARTH 2710)
  • Power and Politics in Pre-modern Chinese Art (ASNS 2020)


Peggy Wang - Bowdoin College Art History

Education

  • University of Chicago, Ph.D., 2010
  • Wellesley College, B.A., 2001

Research Interests

  • Contemporary Chinese art
  • Art markets, art criticism, and state institutions in 1990s China
  • Nation and gender in twentieth-century China
  • Contemporary art and media
  • Visual culture and practices of looking
  • Global exhibitionary culture


Selected Articles and Essays

Negotiating Difference: Contemporary Chinese Art in the Global Context “Art Critics as Middlemen: Navigating state and market in contemporary Chinese art, 1980s–1990s.” Art Journal (Spring 2013): 6–19.

“China’s Emerging Art Market: Debates on art, criticism, and commodity in the early 1990s.” Negotiating Difference: Contemporary Chinese Art in the Global Context, ed. Juliane Noth et al (VDG Weimar, 2012), 189–198.

 “A New Visual Rhetoric: Tang Kaizhi’s Taichi series.” Looking Between the Lines. Beijing: One Moon Gallery, 2007; appears in Chinese translation as “Xin de shijue yuyan: Tang Kaizhi de taiji xilie” in Zhongguo Yishu [Chinese Art] no. 1 (2008) and Dongfang Yishu [Oriental Art] no. 15 (2008).

“Re-reading Contemporary Chinese Art.” Orientations 37, no. 6 (September 2006): 85–89.

“Dis/Placement: Yin Xiuzhen’s City Installations.” Yishu 4, no.1 (April 2005): 87–101.

Assisted Publications

Wu Hung, ed. Contemporary Chinese Art: Primary Documents. With the assistance of Peggy Wang. New York: Museum of Modern Art, 2010  [Review: The New York Review of Books (April 28, 2011)]

Wu Hung. Shu: Reinventing Books in Contemporary Chinese Art. With the assistance of Peggy Wang. New York: China Institute Gallery, 2006.

Contemporary Chinese Art: Primary Documents   Wu Hung. Shu: Reinventing Books in Contemporary Chinese Art

Reviews and Interviews

Review of Julia F. Andrews and Kuiyi Shen, The Art of Modern China (Berkeley: University of California Press, 2012), Journal of Asian Studies 72, no. 3 (August 2013): 682–684.

Review of Hsingyuan Tsao and Roger T. Ames (eds.), Xu Bing and Contemporary Chinese Art (Albany: SUNY Press, 2011), Philosophy East and West 63: 3 (July 2013): 446–448.

 “Thread and Bone: An Interview with Lin Tianmiao.” Yishu 11, no. 2 (March/April 2012): 6–19.

“Subversion, Culture Shock, and ‘Women’s Art: An Interview with Lin Tianmiao” n. paradoxa 29 (January 2012): 22–31.

“Miao Xiaochun: Phantasmagoria.” Art Asia Pacific 45 (Summer 2005): 85­–86.

Exhibitions Curated at the Bowdoin College Museum of Art

Breakthrough: Work by Contemporary Chinese Women Artists, Fall 2013 (co-curated)


“Made in China: Symbols and slogans of place in 1990s contemporary Chinese art,” Association of Asian Studies Annual Meeting, San Diego, California, March 23, 2013 (forthcoming).

“Urbanization, Mediation, and Globalization in Contemporary Chinese Art,” Excavating the Image: The Birth of RMB City by Cao Fei Symposium, Smith College Museum of Art and Kahn Liberal Arts Institute, January 11, 2013 (invited).

“Politics of Intervention: Tracing the intersections of contemporary art and media in China” Media, Art, and Activism in the Middle East and Asia Lecture Series, Michigan State University, November 29, 2012 (invited).

“Artifice of Art: Advertisements in Contemporary Chinese Art,” Cultures in Contact Lecture Series, Institute for Chinese Studies, The Ohio State University, May 25, 2012 (invited).

“Black and White and Red All Over: Spaces of urban intervention in Beijing Youth Daily’s 1994 Art Interior Design series,” College Art Association Annual Meeting, Los Angeles, California, February 22, 2012.

“Approaching Contemporary Chinese Art,” Scholars’ Day Forum, Museum of Modern Art New York, October 15, 2010 (invited).

“Critical Discourses: Debating the Value of Contemporary Chinese Art in the 1990s,” Negotiating Difference: Contemporary Chinese Art in a Global Context Conference, House of World Cultures, Berlin, Germany, October 24, 2009.

The Ties that Bind: Contemporary Chinese Artists in the 1990s Global Art System,” Association of Asian Studies Annual Meeting, Chicago, Illinois, March 28, 2009.

“Constructing Market and History: The 1992 Guangzhou Biennial and the Second Documents Exhibition,” College Art Association Annual Meeting, Los Angeles, California, February 27, 2009.

“Exhibiting the Nation: Negotiating Cultural Authority in Multinational, Transnational, and Intranational Exhibitions of Contemporary Chinese Art in the 1990s,” Harvard Project for Asian and International Relations Conference, Tokyo, Japan, August 23, 2005.

Franke Institute for the Humanities Doctoral Fellowship (2009–2010)

Center for East Asian Studies Dissertation Write-up Grant, University of Chicago (2008–2009)

Fulbright-Hays Doctoral Dissertation Research Abroad Fellowship, U.S. Department of Education (2006–2007)

Jacob K. Javits Fellowship, U.S. Department of Education (2003–2006, winter–summer 2008)

Wellesley-Yenching Graduate Fellowship at the National Palace Museum in Taipei (2001–2002)