Training, Acting and the Body: A Physical Approach to Training for the Stage

Theater 209. Dance 209.

J. Ed Araiza

Works to develop and bring the entire body to the act of being on stage through the symbiotic meeting of two highly rigorous disciplines (the Suzuki Method of Actor Training and Viewpoints). A full-body experience, working in both highly structured individual exercises and ensemble-oriented, improvisational physical impulses. Incorporates strong vocal techniques and strenuous lower body exercises.