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Along the Yangzi River: Regional Culture of the Bronze Age from Hunan
Sep 01, 2011 - Jan 08, 2012
Boyd Gallery
Shaw Ruddock Gallery
William Sharp, American, 1803-1875, Complete Bloom from "Victoria Regia, or the Great Water Lily of America", 1854, Chromolithograph , Gift of David P. Becker, Class of 1970, 1978.16
Rectangular Ding with Human-face Design, Late Shang period, 12th-11th century BCE, Hunan Provincial Museum

This fall, Bowdoin College Museum of Art offers visitors a rare glimpse into the artistry, rituals, and beliefs of Bronze Age China. The exhibition features approximately sixty magnificent bronze vessels and monumental bells that were cast in southern China in the period between 1300 B.C.E. and 221 B.C.E.


This is the first exhibition ever to focus on the regional characteristics of Hunan bronzes. Artisans in Southern China adapted with great skill the types of vessels from the Chinese Great Plains, some of which were traded to Hunan during the Bronze Age. But they did no feel restricted by their models. Animal-shaped bronzes and bells were a specialty of the south. Decoration sometimes specifically related to local animal life, as in the case of the elephant shaped wine vessel, or was made to serve regional tastes and ritual needs. A food-heating vessel for ritual that is decorated with human facemasks is unique in all of China and belongs to a small group of ancient objects classified as Chinese National Treasures.


This exhibition includes both, imported northern vessels that defined highbrow taste and the original and sometimes even odd creations of the regional bronze-makers of the South. Many of these unusual bronzes were only recently brought to light in excavations. They radically alter our contemporary perspectives on the art and culture of one of the cradles of the Chinese civilization.


The China Institute of New York organized the exhibition with loans from the Hunan Provincial Museum, the premier repository of archeological finds from the middle banks of the Yangzi River in southern China. Besides the China Institute, Bowdoin College Museum of Art will be the only other venue for this extraordinary show.


Relataed Events:
Curator's Lecture

Jay Xu, Director, Asian Art Museum, San Francisco
September 22, 2011 - 4:30 p.m., Kresge Auditorium, Visual Arts Center, Bowdoin College


Reception and Opening Remarks

Willow Hai Chang, Gallery Director, China Institute, New York
5:30-7:30 p.m., Bowdoin College Museum of Art


“From Center to Periphery: Regional Culture and Identity in the Ritual Arts of Hunan Province”

Stephen J. Goldberg, Associate Professor of Art History, Hamilton College.
Respondent: Ankeney Weitz, Associate Professor of Art and East Asian Studies, Colby College.
4:30 p.m., Kresge Auditorium


“Passion for the Past: The Significance of Archaeology in China Today”

Magnus Fiskejo, Associate Professor of Anthropology, Cornell University.
Respondent: James Higginbotham, Associate Professof of Classics and Associate Curator for the Ancient Collection, Bowdoin College.
4:30 p.m., Kresge Auditorium

Elephant-shaped Zun Vessel, Late Shang period, 12th-11th century BCE, Hunan Provincial Museum

Nao with Animal Face Design, Late Shang period, 12th-11th century BCE, Hunan Provincial Museum